Everybody's talking at me
I don't hear a word they're saying
Only the echoes of my mind
People stopping, staring
I can't see their faces
Only the shadows of their eyes
I'm going where the sun keeps shining
Through the pouring rain
Going where the weather suits my clothes
Banking off of the northeast winds
Sailing on a summer breeze
And skipping over the ocean like a stone
I'm going where the sun keeps shining
Through the pouring rain
Going where the weather suits my clothes
Banking off of the northeast winds
Sailing on a summer breeze
And skipping over the ocean like a stone
2019. Mixed media. Installation view.
2019. Mixed media. Installation view.
2019. Mixed media. Installation view.
2019. Mixed media. Installation view.
2019. Mixed media.
2019. Metal table, cardboard boxes, artist’s clothes, plastic. 48” x 24” x 34”
2019. Stuffed t-shirts in t-shirts and pants in pants. 68” x 24” x 11”
2019. Mixed media. Video on continuous Loop.
Clips from: Midnight Cowboy (1969). Directed by John Schlesinger
The Prize of the Pole (2006) featuring Hivshu Nixiwaka (Robert Peary II). Directed by Staffan Julén.
Documentation of Trish Nolie’s first visit to New York and Times Square. Documented and edited by Kevin Hubbard. April 23, 2019.
Audio: Everybody’s Talkin’ (1969) by Harry Nilsson.
2019. Mixed media. Video on continuous Loop.
Clips from: Midnight Cowboy (1969). Directed by John Schlesinger
The Prize of the Pole (2006) featuring Hivshu Nixiwaka (Robert Peary II). Directed by Staffan Julén.
Documentation of Trish Nolie’s first visit to New York and Times Square. Documented and edited by Kevin Hubbard. April 23, 2019.
Audio: Everybody’s Talkin’ (1969) by Harry Nilsson.
2019. Mixed media. Installation view.
2019. Framed Inkjet on paper under plastic with stickers. 15” x 12”
2019. Inkjet on paper. 14” x 11”
2019. Inkjet on paper. 14” x 11”
2019. Inkjet on paper. 14” x 11”
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
2019. Vacuum sealed books. 12” x 16” x 26”
2019. Digital print. 9” x 12”
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. Covered by foamcore, tied with archival conservation ribbon. .5” x 17” x 12.5”
Permission to photograph artifact Catalog No. 16_2344, Tsegamis Mask, Dʼnaxdaʼxw, was not requested nor received. As such 16_2344 is displayed covered with archival foamcore.
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. Inkjet on paper mounted on archival foamcore. 17” x 12.5”
Permission granted to photograph and represent artifact in high definition by Patricia Nolie (‘Naxwax’daxw).
2019. RISD Museum crates, shattered flat screen TVs, cardboard box, rocks, active fog machine, light, laser print on paper, metal. 88” x 43” x 46”
2019. RISD Museum crates, shattered flat screen TVs, cardboard box, rocks, active fog machine, light, laser print on paper, metal. 88” x 43” x 46”
2019. Inkjet on paper. 17” x 12.5”
2019. Three LG 49” UHD displays, Apple Mac Pros, cardboard, styrofoam. 52” x 109” x 20”
A JQuery JavaScript reads each pixel in succession from a clip of the 1982 movie Poltergeist displays either a white pixel on one screen (I/on) or a black pixel on the other (0/o ).
Although, in theory, one screen should be perfectly white and the other perfectly black (I/0), discrepencies and variations are obvious in the flickering screens.
2019 Polyethylene jackets with fabric trim, hangers, felt marker on vellum and plastic. 32” x 36” x 1.5”
Handwritten lyrics on vellum and plastic from the song Everybody’s Talkin’ (1969) by Harry Nilsson as featured in the movie Midnight Cowboy (1969). Song written by Fred Neil.
…And I won't let you leave my love behind
No, I won't let you leave my love behind
I won't let you leave my love behind